《量子破碎》SIGGRAPH2015“世界计算机图形技术大会”渲染技术演示。

litaoguang0020

牛逼，看来要为了本作入xone了

abc67jerry

这个不要在吹了，仇恨OT的

ヴィンセント

技术不错，不过我还想期待一下游戏性                        

vengil

视觉确实无敌。。。。
不过SIGGRAPH 官网上公布的奖项里没有最佳主机画面，也没有量子破碎，所以有待考证

gaq

seeeeeeeed 发表于 2015-8-26 18:40
此贴无pc党

我来了，希望移植到PC，来个1080P 60帧

该用户已被禁言

你这链接就是个演讲pdf 哪里写获奖了

该用户已被禁言

快点出                                      

303802412

光照特效没必要进化了...........

乱兵刹神

确实挺好的。。。。。。

hqqttjiang2

今年获奖的名单  量子破碎在哪？  SIGGRAPH 从来就没有设立过什么所谓的”最佳主机画面奖“


BEST IN SHOW
Citius, Altius, Fortius (Germany)
Submitted and Directed by Felix Deimann
“Citius, Altius, Fortius” explores the interplay of abstract shapes and motions. How can the substance of motion be visualized? Original footage of athletes in Olympic competitions was digitized into 3D through motion tracking and rotoscoping. The specific character of each sport is reflected in the visual language.



JURY’S CHOICE
Amir & Amira (France)
Submitted by ESMA (école Supérieure des Métiers Artistiques)
Directed by Sara Ayoub, Martial Andre, Benjamin Condy, Ariane Dedulle, Cecilia Maturi and Tatiana Tchoumakova
“Amir & Amira” takes on the topic of gender-strict traditional education through the eyes of two wooden puppets at puberty.



BEST STUDENT PROJECT
L3.0 (France)
Submitted by ISART Digital
Directed by Alexis Decelle, Cyril Declercq, Vincent Defour and Pierre Jury
“L3.0” tells the story of Leo, a high-tech “pet” robot, which wanders alone in Paris following the mysterious disappearance of nearly all living species. He spends his days trying to entertain himself, but to no avail. Then, one day he meets a new living being.



BEST COMPUTER ANIMATED SHORT
Jinxy Jenkins and Lucky Lou (USA)
Submitted by Ringling College of Art and Design
Directed by Michael Bidinger and Michelle Kwon
In “Jinxy Jenkins and Lucky Lou,” the chaotically misfortunate Jenkins and the monotonously lucky Lou run into each other one morning. Together they find a thrilling and fulfilling change of pace as they hurtle down the hills of San Francisco in an ice cream cart.



BEST ANIMATED FEATURE FILM
Home (USA)
Submitted by DreamWorks Animation SKG
Directed by Tim Johnson
The VFX breakdown of the DreamWorks animated film “Home,” explores how shading and rendering were used to create effects from giant soap bubbles to alien characters splashing in calm water to a giant bulldozer machine crunching the Australian outback.



BEST VISUAL EFFECTS FOR LIVE-ACTION FEATURE FILM
Paddington (United Kingdom)
Submitted by Framestore CFC
Directed by Paul King
“Paddington” started in 2012, with a 350-strong team, and Framestore delivered 760 final shots for Paddington, 570 of which feature the marmalade-obsessed bear. It is not just Paddington, there is also a CG supporting cast including Aunt Lucy and Uncle Pastuzo, a dog and a flock of pigeons.



BEST VISUALIZATION OR SIMULATION
Multi-scale Multi-physics Heart Simulator, UT-Heart (Japan)
Submitted by Sciement, Inc.
Directed by Hirofumi Seo
For “Multi-scale Multi-physics Heart Simulator,” all 3DCG shown were accurately generated from multiple super-computer simulation data calculated by UT-Heart. UT-Heart is a multi-scale, multi-physics heart simulator developed by The University of Tokyo and RIKEN (Japan's largest comprehensive research institution).



BEST MUSIC VIDEO
League of Legends Music: Curse of the Sad Mummy (South Africa)
Submitted and Directed by Riot Games
The “League of Legends Music” video tells the story of how every child in Valoran has heard the tale before, about the cursed mummy boy who felt his heart no more.



BEST GAME
Assassin’s Creed Unity E3 Cinematic Trailer (Hungary)
Submitted by Digic Pictures Ltd.
Directed by István Zorkóczy
Paris 1789. The French Revolution turns a once-magnificent city into a place of terror and chaos. Yet as a nation years itself apart, a young man named Arno will embark upon an extraordinary journey to expose the true power behind the Revolution.



BEST ADVERTISEMENT
Ikea, T-Shirts (United Kingdom)
Submitted by MPC
Directed by Dougal Wilson
Along with animation, cloth simulation techniques were used to get the hugely detailed interaction between the t-shirts and the environments. This commercial for IKEA was based on the idea to get a range of emotional performances out of inanimate objects that have no consistency or form, while making them look realistic at the same time.



http://s2015.siggraph.org/media/ ... -animation-festival